{"id":968,"date":"2017-05-29T20:34:27","date_gmt":"2017-05-29T20:34:27","guid":{"rendered":"http:\/\/www.nayaricastillo.com\/?page_id=968"},"modified":"2022-08-12T21:15:29","modified_gmt":"2022-08-12T21:15:29","slug":"curriculum-vitae","status":"publish","type":"page","link":"https:\/\/www.nayaricastillo.com\/en\/curriculum-vitae\/","title":{"rendered":""},"content":{"rendered":"<hr width=\"100%\" \"=\"\" align=\"left\">\n\n\n\n<h1 class=\"has-text-color\" style=\"color:#d7ac45\"><strong>CV<\/strong><\/h1>\n\n\n<p><a href=\"http:\/\/www.nayaricastillo.com\/wp-content\/uploads\/2017\/05\/564147_10150957401700966_436585146_n.jpeg\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-774\" src=\"http:\/\/www.nayaricastillo.com\/wp-content\/uploads\/2017\/05\/564147_10150957401700966_436585146_n.jpeg\" alt=\"\" width=\"960\" height=\"640\" srcset=\"https:\/\/www.nayaricastillo.com\/wp-content\/uploads\/2017\/05\/564147_10150957401700966_436585146_n.jpeg 960w, https:\/\/www.nayaricastillo.com\/wp-content\/uploads\/2017\/05\/564147_10150957401700966_436585146_n-300x200.jpeg 300w, https:\/\/www.nayaricastillo.com\/wp-content\/uploads\/2017\/05\/564147_10150957401700966_436585146_n-768x512.jpeg 768w, https:\/\/www.nayaricastillo.com\/wp-content\/uploads\/2017\/05\/564147_10150957401700966_436585146_n-525x350.jpeg 525w, https:\/\/www.nayaricastillo.com\/wp-content\/uploads\/2017\/05\/564147_10150957401700966_436585146_n-150x100.jpeg 150w\" sizes=\"(max-width: 960px) 100vw, 960px\" \/><\/a><\/p>\n<p><strong>Studies:<\/strong><\/p>\n<p>M.F.A. Art in Public Space and New Artistic Strategies&nbsp; Bauhaus University. 2008 Weimar, DE.<br>M.F.A. Cultural Practice. University of the Arts. 2005 Caracas, VE.<br>B.A Mixed Media (First class standing) University of the Arts. 2004 Caracas. VE.<br>B.Sc Biology (First class standing) Sim\u00f3n Bolivar University.2000.Caracas.VE<\/p>\n<p><strong>Working Experience:<\/strong><\/p>\n<p>2018-2017 University Assistant for research. Institute for Spatial Design. TU Graz.<br>2018-2017 Coordinator\/co-creator, Women*a Action Forum Graz.<br>2018-2017 Curator,artist and coordinator of the international project \u201cInverting Battelfields: for a Borderless future\u201d.<br>2017-2013&nbsp; Coordinator of programs, publications and Director of The Daily Rhythms Collective.<br>2017-2000 Independent Installation Artist.<br>2017-2013 Lecturer for the Institute for Cotemporary Art, TU Graz<br>2016 Social Media Manager. Kommerz, Graz<br>2016-2015 Coordinator of contect and programm&nbsp; for the academic project&nbsp; \u201cOpen Modes Graz\u201d (http:\/\/offenerbetrieb.mur.at\/).<br>2016-2015 Curator,artist and coordinator of the international project \u201cStories from the Edge\u201d. www.storiesfromtheedge.org<br>2104 Curator,artist and coordinator of the international project \u201cRose of the Winds: a semantic compass of post-Habsburg Europe\u201d. www.roseofthewinds.at<br>2015-2013 Invited Professor for ADRIART consortium.<br>2012-2008 Researcher Bauhaus Uni-Weimar.<\/p>\n<p><strong>Academic Experience (teaching examples):<\/strong><\/p>\n<p>2017 Lecturer-Invited Professor.Gestures in micro-resistance.University of Nova Gorica. School of Arts. Nova Gorica, SL.<br>2017 Lecturer-Invited Professor. New Graz Dinner Party.Institute of Contemporary Art (IZK) TU Graz.<br>2017 Workshop leader. Draw the Line. OMEGA, Graz.AT<br>2017 Workshop leader. Switching. Akademie Graz.AT<br>2017 Workshop leader. Auf Augen H\u00f6he. AAI, Graz.AT<br>2017-2013 Workshop leader for different projects of the Daily Rhythms Collective.Graz.AT<br>2016 Lecturer-Invited Professor. Live Action: Creating Roles in Speculative Environments.IZK TU Graz.AT<br>2016 Workshop coordinator\/assistant. Herbst Akademie for Marjetica Potric. House of Open Gates, SH-&lt;rotor&gt;, Graz, AT.<br>2015 Lecturer-Invited Professor. Scientific Image: Revealing the Work of Art.IZK TU Graz.AT<br>2015 Guest Mentor. Under the Flag of Displacement. Adriart. Rijeka, HR.<br>2015 Lecturer-Invited Professor. The Living Archive: On Collecting, Classifying and Remembering in Contemporary Art.IZK TU Graz,AT<br>2015 Workshop coordinator. Elevate festival for Grand Hotel Cosmopolis and guests.Graz,AT<br>2014 Guest Mentor. Forecast:turbulence. Adriart-TU Graz-Wegener Center for Climate Data-IEM KUG and IAM TU Graz.<br>2014 Lecturer-Invited Professor. Food Art.&nbsp; IZK TU Graz<br>2014 Workshop leader. Re-tracing my city. UniT Graz.AT<br>2014 Lecturer-Invited Professor. Building Rainbows.IZK TU Graz,AT<br>2013 Guest Mentor. Bix-perform. Responsive art in the public realm. Adriart. GRAZ,AT<br>2013 Guest Mentor. Aquatopia &#8211; the children\u2019s research submarine.IZK TU Graz &#8211; Kinderburo,Graz, AT.<br>2013-2012 Workshop leader.&nbsp; Floating Souls. Kinderburo, Graz,AT.<br>2012 Invited professor of Conceptual Art. University of the Arts. Caracas, VE<br>2012 Workshop leader. Installation Art. Chacao Cultural Center. Caracas, VE<\/p>\n<p><strong>Solo exhibitions and Public interventions:<\/strong><\/p>\n<p>2018 Camrade\/Comrade. Graz (AT)in cooperation with KI\u00d6R Steiermarkin * in progress\/plan<br>2018 The transpositional Archive.Graz (AT)* in progress\/plan<br>2018 Inverting Battlefields. Feldbach (AT) in cooperation with KI\u00d6R Steiermark * in progress\/plan<br>2017 Feldstellen*Pr\u00e4zens der Vielen. Square of Human Rights. Forumstadtpark. Graz (AT)<br>2017 Empowerment Printbar in cooperation with AAI. Graz (AT)<br>2016 House of Open Gates. Steirische Herbst. Graz (AT).<br>2016 Observatorium. Art Safiental. Tenna (CH)<br>2016 Chain Reaction-Zeitlupe. EisernerzArt. Eisenerz (AT)<br>2016 M\u00e4nder \/ Meander.ORF Zentrum.Steiermark.Graz (AT)<br>2015 A women born in Vienna that lost her steps on the way.Wiener Festwochen. Vienna (AT)<br>2014 Rose of the Winds. Three instalations in public Space. Sarajevo,BiH-Trieste, IT-Graz,AT. (PI)<br>2014 Pi\u00f1ata. AAI Graz, AT. (PI)<br>2014 Weststeirischen Sagensberg. Schlo\u00dfberg. Voitsberg, AT (PI)<br>2014 Garden of Dialogue. Art Project Hotel Cosmopolis Augsburg,DE. (PI)<br>2013 Postcards From Sarajevo. Evergreen Gallery. Sarajevo,BA. (S)<br>2013 Aquatopia. Forschungs U-boot. Karmeliterplatz Graz,AT. (PI)<br>2012 Sound Epigrams. The Box Gallery. Chacao Cultural Center. Caracas,VE. (S)<br>2010 Smuggling to Paradise. Office #1. Los Galpones Cultural Center.Caracas,VE. (S)<br>2009 Facing North. L. C. Bates Museum. Hinckley,USA. (S)<br>2008 Victoria Regia. La Cuadra Gallery. Caracas,VE. (S)<br>2008 Ndoto ya Jane. Barsheba Kiosk. Mombasa,KE. (PI)<br>2008 Video diaries: The German Tale. Schlo\u00df-Museum. Weimar, DE. (S)<br>2006 The Word \/ The Silence. Library of the MH Franz Liszt. Weimar, DE. (S)<br>2002 Transit. Centre of Latin-American Studies. CELARG. Caracas,VE. (S)<\/p>\n<p><strong>Group exhibitions (Recent):<\/strong><\/p>\n<p>2018 Graz City of Ladies.center for contemporary art. Graz (AT)* in progress\/plan<br>2017 Schw\u00e4rmen + Vernetzen. Akademie Graz. Graz (AT).<br>2016 Stories from the edge. Kunsthaus. Graz (AT)<br>2016 Stories from the edge. Kortill Gallerja. Rijeka (HR)<br>2016 Stories from the edge. Galleria ML5. Trieste (IT)<br>2016 Sublim. ESC im Labor. Graz (AT)<br>2016 Persecuted, Robbed, expelled. center for contemporary art. Graz (AT)<br>2015 Into the City. Wiener Festwochen.Wien,AT.<br>2015 Shifting Constellations. Minoriten Saal. Graz, AT.<br>2014 Turbulence (cooperation). Forum Stadt Park Graz, AT.<br>2014 Hof-Biennial 02. Steiermarkhof. Graz, AT.<br>2014 The Sight of the other. Banesco Collection. Caracas,VE.<br>2014 Fleeting Imaginaries. CIFO Art Space. Miami,USA.<br>2014 The artist are present. &lt;Rotor&gt; Gallery. Graz, AT.<br>2014 PROVITA. Artists for Nature. Los Galpones Art Center. Caracas,VE.<br>2013 OFF-Line.Triangle Arts-Xerem Association. Lisbon.PT.<br>2013 Aquatopia. Research Submarine. Karmeliterplatz Graz,AT.<br>2013 TimeLag. Institute for Time displacement. Graz, AT.<br>2013 Visual Antology.GBG Arts Gallery. Caracas.VE<br>2012 Writings Machines. ESC im Labor. Graz, AT.<br>2012 Formed. Gallery G69.KulturService Steiermark Graz,AT.<br>2012 Contemporary Dialogues of the collection. Contemporary art Museum Caracas.VE.<br>2012 History,memory and territory. Mercantil Collection. Caracas,VE.<br>2012 5&#215;5 Real\/Unreal.AAAMuseum. Acarigua,VE.<br>2012 Writing Machines. ESC im Labor. Graz,AT.<br>2011 11 Tipos. Mendoza Gallery. Caracas,VE.<br>2011 Other possible worlds.Casino Luxemboug, Contemporary Arts Center.&nbsp; Luxembourg, LX.<br>2011 Corso Aperto. Fundaci\u00f3n Antonio Ratti. Como, IT.<br>2011 Latinamerican Sights &#8211; V\u00eddeos. Sculpture Garden. Xalapa. Veracruz. MX.<br>2011 Ten Latin-American sights. Celaya Cultural House. Guanajuato. MX.<br>2011 Ela Xpo. Space Wallonie. Brussels. BE.<br>2011 Multiples. Los Galpones Cultural Art Center Caracas,VE.<br>2011 Small Scale. La Cuadra Gallery. Caracas,VE.<br>2011 Graphic-Miniature Biennial. TAGA-CAF. Caracas,VE.<br>2011 Bicentenary: Ten Latin-American sights. Diego Rivera Museum. DF, MX.<br>2010 Rondomat. Rondo Atelier. Graz, AT.<br>2010 Displaced. ArtePuy Gallery. Caracas,VE.<br>2010 Reverberations. ESC im Labor. Graz, AT.<br>2010 {Sounding Code}. HBC Gallery. Berlin, DE.<\/p>\n<p><strong>Awards:<\/strong><\/p>\n<p>2017 Austrian National Prize for best Cultural Project 2017 with Center for contemporary art.BKA.Wien.AT<br>2017 Production Grant. Holobionten:schw\u00e4rmen + vernetzen. Landsteiermark Kulturf\u00f6rderung.Graz. AT<br>2017 Production Grant. Holobionten:schw\u00e4rmen + vernetzen. BKA. Wien. AT<br>2017 Production Grant. Holobionten:schw\u00e4rmen + vernetzen. Stadt Graz-Kultur.Graz. AT<br>2017 Production Grant. Inverting Battelfields (Xenos Verein). Land Steiermark. Graz.AT<br>2017 Production Grant. Inverting Battelfields (Xenos Verein). \u00d6stereichisches Gesellschaft f\u00fcr Politische Bildung. Wien.AT<br>2017 Production Grant. zusammen:wachsen \u2013 Kunst und Integration 2016. Inverting Battlefields (Xenos). BKA. Wien.AT<br>2016 Catalog Sponsoring. (Daily Rhythms collective)Stadt Graz. Kultur.<br>2015 Stadt-Graz, Art Prize. Working Production Grant. Graz(AT)<br>2015 Production Grant. Stories from the Edge (Daily Rhythms collective). Land Steiermark. Graz.AT<br>2015 Catalog Sponsoring. (Daily Rhythms collective)Stadt Graz. Kultur.<br>2014 Production Grant. CIFO grants and comissions Program. CIFO. Miami.USA<br>2014 Production Grant.Das Sprachlisches Palimpsest. (Daily Rhythms collective)Projekt fonds. Land Steiermark. Graz.AT<br>2014 Production Grant.Pi\u00f1ata (AAI).Projekt fonds. Land Steiermark. Graz.AT<br>2014 Production Grant. Rose of the WindsProject (Daily Rhythms collective). Land Steiermark. Graz.AT<br>2013 International Film Grant. Steiermark State. Graz, AT.<br>2011 Bursary of research. Commission for Woman. State of Th\u00fcringen. DE.<br>2011 Honorific Mention. Miniatures Biennial. TAGA.Caracas.VE.<br>2010 Bursary of research.State of Th\u00fcringen. DE.<br>2009 Grant. Skowhegan Residency. Skowhegan, USA.<br>2008 Bursary of research. Bauhaus Research School. Bauhaus University.Weimar, DE.<br>2008 Travel Grant. International Support Program of the Cultural affairs Ministry. VE.<br>2008 Honorific Mention. Young Artist Contest Pirelli. Caracas, VE.<br>2005-08 Academic Excellence Scholarship. DAAD. Bonn, DE.<br>2005 First Prize Reward. 8th J\u00f3venes con Fia. Corp Group Foundation. Caracas,VE.<br>2004 First Prize Reward. National Prize Award. 63th Annual Sal\u00f3n Michelena. Valencia, VE.<\/p>\n<p><strong>Artistic Residencies:<\/strong><\/p>\n<p>2017 Free Home University. Castiglione. IT<br>2017 Default 17.Ramdom.Gagliano dil Capo.IT<br>2016 Alps Arts Academy. Tenna. Safienthal.CH<br>2016 Free Home University. Lecce. IT<br>2013 OFFLINE.International Workshop. Lissabon, PT.<br>2013 Public Room. Sarajevo, BA.<br>2011 Casino Luxembourg Art Workshop.Luxembourg, LX.<br>2011 Advance Curse in Visual Arts. FAR.Como, IT.<br>2010 Rondo Atelier. Graz, AT.<br>2010 HomeBaseV. Berlin, DE.<br>2009 Skowhegan School of Painting and Sculpture. Skohegan, USA.<br>2009 RIA Rural Center for the Arts. Buenos Aires, AR.<br>2008 Wasanii International Workshop. Mombasa, KE.<br>2003 Salzburg Summer Academy. Salzburg, AT.<\/p>\n<p><strong>Selected Publications | Reviews in Books:<\/strong><\/p>\n<p>*L\u00f3pez Ortega, Antonio (2017). Nuevo Pa\u00eds de la Artes. Caracas: Banesco Ediciones.<br>*Ramos, Maria Elena (2015).&nbsp; El Avila. La mirada de todos. Caracas: Playko Editores.<br>*Palenzuela, Juan (2014). Art in Venezuela 1980-2005. Caracas: Casa del cerrajero ediciones.<br>*Suazo, Felix (2014). Panoramic of Emergent Art in Venezuela 2010-2012. Madrid: Fundaci\u00f3n Telef\u00f3nica.<br>*Chumnarn,R (2013). Creativity. Bangkok: Creative Thinking.<br>*Zerpa, Carlos (2009). Poison. History and memory in performance art.&nbsp; M\u00e9rida: Actual Editions.<br>*Castellote, Ale (2003). Open Maps. Latin-American Photography. Fundaci\u00f3n Telef\u00f3nica. Madrid: Ludwig<br>*Boulton, Maria (2003). 21 Venezuelan Female Photographers. Caracas: La lapara\u00f1ona Eds. Caracas.<\/p>\n<p><strong>Selected Publications | <\/strong><br><strong>Catalogues and Artist-Books:<\/strong><\/p>\n<p>*Castillo,N; H.H, Rutz (2018).Schw\u00e4rment+Vernetzen.Graz: esc kunst labor. *in progress \/ plan<br>*Castillo,N; R,Hofm\u00fcller. (2017).Sublim.Graz: The Rhythms Collective.<br>*Castillo,N; K,Howlett-Jones and F, Lazarinni. (2017).Stories from the Edge.Graz: The Rhythms Collective.<br>*Castillo, N; F, Hederer. (2016)Bewegte Stadgef\u00e4hrtin.Graz: Forum Stadtpark.<br>*Castillo, N; K, Howlett-Jones. (2016). Rose of the Winds: a semantic compass of post-Habsburg Europe.Graz: The Daily Rhyhtms Collective.<br>*Silva, A.C (2014). Fleeting Imaginaries. Grants &amp; Commissions Program Exhibition. Miami: CIFO.<br>*Aksamija, A (2014). Future Heritage Collection. Graz: Land Steiermark&nbsp; \/ &lt;rotor&gt; Center for Contemporary Art.<br>*Ribero, T (2014). Grafica Mercantil Indagaci\u00f3n y Seguimiento. Caracas: Mercantil Arte y Cultura, A.C. P. 43.<br>*Baumgartner,J; Risse, E (2014). Hof-Biennale 02. Energie-Die Kraft der Weiblichkeit. Graz: Steirmarkhof.<br>*Meixner, E (2014). Der Westeireische Sagenberg. Voitsberg: Das Land Steiermark.<br>*Brasil, D. Institut f\u00fcr Zeitgen\u00f6ssische Kunst. Kinderb\u00fcro (eds.) (2014) Aquatopia: das Kinder Forschung-U-boot. Jahres Logbuch 2014-15. Graz: TU Graz Verlag. P 30-31.<br>*Kada, C (2013). Landes-kultur-preise 2013. Graz: Das Land Steiermark.<br>*Miranda, M (2013). OFFLINE. Between Transits and Journeys. Lisboa: Triangle Arts Association.<br>*Castillo, N; Gonzalez, L (2012). Epigramas Sonoros\/ Sound Epigrams. Caracas: Centro Cultural Chacao.<br>*Romero, Luis (2012). Cacri. Caracas Arte Contempor\u00e1neo. Caracas: Mercantil Arte y Cultura, A.C. P.8.<br>*Slater, C (2012). KARST Open Studio. Plymouth: NFSAP.<br>*Ratti, A (2011). Wolves and Peasants 38% Notes 38% No Title 19% Dreamers 4%. Milano: Mousse Publishing.<br>*Ramos,M.E (2011). Once Tipos del Once. Caracas: Sala Mendoza.<br>*Chea-gab,Y (2009). Borderless Generation: Contemporary Art of Latin America. Seoul: The Korea Foundation Cultural Center.<\/p>\n<p><strong>Selected Publications| Newspaper Reviews:<\/strong><\/p>\n<p>*Titz,W (2015). \u201cLeben im parallelen Welten\u201d. In: Kleine Zeitung. Kultur. (27.01).&nbsp; Graz, AT.<br>Binder, H (2014) \u201cWindrose und andere Zeichen\u201d .In: Kleine Zeitung. Kultur. (25.11). Graz, AT.<br>*Castillo, N (2014). \u201cReflexion\u201d. In: Grazetta Nr.06. Graz,AT.<br>*Taxacher, E(2013) \u201cWeil es feminimus braucht\u2026\u201d In:AEP Informationen. 40(4). Graz, AT.<br>*Falc\u00f3n,D (2012) \u201c!Pens\u00e9 que era sorda!\u201dUna entrevista a Nayari Castillo\u201din: El Universal. Arte (09.07). Caracas,VE.<br>*M\u00e9ndez, C.V (2012) \u201c Nayar\u00ed Castillo atrapa el sonido\u201d. In: El Nacional. (29.06).Caracas,VE.<br>*Garcia,S (2012) \u201cLa memoria allude a Epigramas Sonoros\u201d.In: Tal Cual (29.06). Caracas, VE.<br>*Castillo, N (2011). \u201cContrabando al Para\u00edso\u201d. In: Mono Magazine.04. Caracas, VE<br>*Cabas, A (2011) \u201cTres tipas de arte: Nayari Castillo\u201d. In: M Magazine (29:12).Caracas, VE.<br>*Santana, R (2011) \u201cOnce Tipos: La nueva pr\u00e1ctica del Museo\u201d In: El Nacional (22.10). Caracas, VE.<br>*Falcon, D (2011) \u201c Premios AICA\u201d. In: El Universal (17.05). Caracas, VE<br>*Castillo, N (2010). \u201cHacia un discurso social en el arte contempor\u00e1neo\u201d In: La Roca de Crear 3 (31). Caracas, VE.<br>* Wolkinger, T. (2010). \u201cRaumschiff Creativity\u201d. in Falter.2279: 50 (17.02). Wien, AT.<br>*Hilgenstock, A.(2010). \u201dKunst-Nomaden in Pankow\u201d. In Berliner Morgen Post (30.09). Berlin, DE.<br>*Baum, C. (2010). \u201cZuhause in Berlin\u201d.Cicero. Magazine for Political Culture (23.09).&nbsp; Berlin, DE.<br>Falcon, D. (2010). \u201dLas Fantasias de Nayari Castillo tocan a Pablo Escobar\u201d.&nbsp; In El Universal (17.05). Caracas, VE.<br>*Delgado, M.(2010). \u201dNayari Castillo escribe identidad con H de hipop\u00f3tamo\u201d. El Nacional (14.05). Caracas, VE.<br>* Rangel, M. (2010). \u201cEl recorrido de 4 artistas contemporaneos\u201d.&nbsp; In Tal Cual(12.05). Caracas,VE.<br>*Suazo, F. (2009). \u201cChronic: Nayari Castillo\/La Cuadra Gallery\u201d.&nbsp; In ArtNexus 71(7). Miami, USA .<\/p>\n<p><strong>Selected Publications | Academics:<\/strong><\/p>\n<p>*Brasil, D; K\u00f6nig, B. (eds.) (2015) Design your free local menu. X Bienal de Arquitetura de S\u00e3o Paulo. Graz: TU Graz Verlag (42pp. eng)<br>*Castillo, N. (2014) Reflections on mentoring.&nbsp; in: Adriart: Regional collaborations in Media Arts and Practices.&nbsp; BRAJNOVIC, T.\/ MUSTAPIC, N.\/ PURG, P.\/ SMREKAR, T. (eds.) Rijeka: Academy of Applied Art, University of Rijeka\/ School of Arts, University of Nova Gorica (p. 95-97 eng)<br>*Brasil, D (ed.) (2014) Forecast: turbulence. Forum Stadtpark. Institute of Contemporary Art, Institute of Architecure and Media \u2013 TUGraz and Institute of Electronic Music and Acoustics \u2013 University of Music and oerforming arts. Graz (72pp. eng)<br>*Brasil, D; Castillo, N; Dank, R. (eds.) (2013) Bix Perform. Kunsthaus Graz. Institute of Contemporary Art, Institute of Architecure and Media \u2013 &nbsp;TUGraz (28pp. eng)<\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 36px; left: 20px;\">Save<\/span><\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer; top: 36px; left: 20px;\">Save<\/span><\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer;\">Save<\/span><\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer;\">Save<\/span><\/p>\n<p><span style=\"border-radius: 2px; text-indent: 20px; width: auto; padding: 0px 4px 0px 0px; text-align: center; font: bold 11px\/20px 'Helvetica Neue',Helvetica,sans-serif; color: #ffffff; background: #bd081c no-repeat scroll 3px 50% \/ 14px 14px; position: absolute; opacity: 1; z-index: 8675309; display: none; cursor: pointer;\">Save<\/span><\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.nayaricastillo.com\/en\/wp-json\/wp\/v2\/pages\/968"}],"collection":[{"href":"https:\/\/www.nayaricastillo.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.nayaricastillo.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.nayaricastillo.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nayaricastillo.com\/en\/wp-json\/wp\/v2\/comments?post=968"}],"version-history":[{"count":19,"href":"https:\/\/www.nayaricastillo.com\/en\/wp-json\/wp\/v2\/pages\/968\/revisions"}],"predecessor-version":[{"id":1789,"href":"https:\/\/www.nayaricastillo.com\/en\/wp-json\/wp\/v2\/pages\/968\/revisions\/1789"}],"wp:attachment":[{"href":"https:\/\/www.nayaricastillo.com\/en\/wp-json\/wp\/v2\/media?parent=968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}